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| Photo courtesy lionkingocpac.com |
Aside from his douchey comments about "In the Heights," he makes some good points:
They don’t waste their time with “pared down” productions where the orchestra is reduced to two actors playing recorders and a keyboardist plinking out orchestrations designed for at least 24 real musicians . No, these folks always put mad cash behind their productions—and they still turn a profit.
With the recent news that "West Side Story" plans to downsize its orchestra, I can't help but think that maybe he's right. In many cases the only way that the art survives in hard times is by drawing in non traditional theatre goers. But is the Disney-fication of theatre (pronounced the-ah-tah) a good thing?
What do you think? As an adult, would you have seen a puppet show if not for The Lion King? Has Disney saved Broadway?

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